12 Most Efficient Ways to Kill Creativity in Business

12 Most Efficient Ways to Kill Creativity in Business

From design to communications, I’ve spent my career thus far working on both the client and agency sides, spending much time navigating the corporate approval process. Also known as an idea choke chamber or death spiral, it explains why there’s so much mediocrity in America.

We’re homogenized, diluted, messaged, bulleted and shouted at to death with too much ‘next generation’ crap. David Scott counted how many times “next generation” was used in one year in North American press releases in 2008: 15,371. And that wasn’t the highest. “Innovate” was used no less than 51,390 times. Yikes!

So here goes what I think are the 12 most efficient ways to sap the creativity out of even the most thick-skinned, experienced designer. It’s the equivalent of death by a thousand cuts.

1. “That’s fun”

Whenever someone tells you your concept is ‘fun’, it’s like telling someone ‘he’s a nice guy’. In other words, I don’t like your idea and it’s never going to see the light of day.

2. “Play around with this a bit”

The operative word here is play. A common misconception by non-designers is that creatives simply play all day on their big, fancy monitors. They get to use every single Photoshop filter at the same time! Certainly the ability to earn a living as a designer has its rewards, but to do it well is seriously hard work. And it’s serious business. Dismissing it as play is devalues the process, is shortsighted and a missed opportunity.

3. “That’s too risky for us”

That shiny, super cool, ground breaking idea you have? Never gonna fly because it’s shiny and ground breaking. Most approval committees have a very low tolerance for the unfamiliar. It’s scary. They want proof it’s going to be successful without taking the risk. You can’t prove a ground-breaking idea beforehand. Focus groups rarely deliver accurate feedback.

But good designers have a knack for spotting trends, tapping into the culture and creating work that has a fighting chance of success if the powers that be allow it into the world. An all-too-rare occurrence. Jeffrey Hayzlett, former Kodak CMO, says, “It is marketing. No one’s going to die.” This puts the risk in context.

4. “That might offend someone”

Yep, gotta be all things to all people because we don’t want to miss an opportunity. Too bad this takes you down mediocre lane and kills the deal. The best brands actually do appeal to a narrow audience. And do quite well, thank you. Apple anyone?

5. “Make it bigger”

Yes, we’re going to Vegas where everything is supersized. Even your logo. Because bigger is always better, right? If there’s white space you’re missing an opportunity to pack in more features and benefits. Wrong. Simple works because it’s rare and grabs the right people at the right time. Simplicity stands out from the clutter by focusing on the single most important point and nothing more.

6. “Check out the cool clip art in this presentation and let me know what you think”

The best designers LOVE free clip art. And all of the bevels, shadows, and animations you can do in Powerpoint. ALL AT THE SAME TIME! Wrong again. Ever notice how the presentations that really draw people in exercise restraint and practice clarity? They communicate a powerful message because each element is used to communicate. A well designed, well-placed chart is powerful. 57 pie charts with 28 bullet points are forgettable.

Good presentations are hard work. They take time and most presenters treat them as a sloppy afterthought. And people notice.

7. “That’s not what our competitor’s ads look like”

Yes, how often do businesses practice the ‘Me Too?’ If their competition does it, they have to as well. Because you wouldn’t dare to be different. That only works for cool companies like Apple and Harley Davidson.

I recently heard Ken Schmidt from Harley talk about how in the 80s, when HD was failing, he noticed they all talked about horsepower and wheel size. It wasn’t until they understood that they were in the metal-bending business and could ‘Fit’ each bike to its owner that they rebounded. And with bikes that were slower and heavier than the Hondas and Yamahas. Yes, they took a different path!!! Yet when many hear this story, they don’t see how that could apply to their commoditized business. After all, Harley is cool, they’re not. But at the time, Harley was a commodity.

So reframe your position. Stand for something.

8. “You don’t understand business because you’re a designer”

Really? Design is one of the last opportunities to create a competitive edge today. But for some reason, so many in business assume those with a ‘creative bent’ can’t possibly understand how business works. Designers are business people too. The best know how to create business models that deliver real results from the power of good design. And are the people you want on your team helping you build a sustainable competitive advantage? You can’t afford not to.

9. “You need to be more literal. People aren’t going to get that. They need to see a (insert generic object related to business) here. We really need to hit them over the head with our value proposition”

Right. Never mind that rational minds don’t buy products. Emotions do. Save the rational for the proof points to back up your emotional claims. Win the heart and the mind will follow. And above all, respect your audience. They’re smarter than you think.

10. “Let’s run that by a few people”

People say this when they either don’t like your ideas nor want to be responsible for making a decision. If it fails, they can point the finger at others. Focus groups and committees may still have a place, but given the technology available today, why not A/B test your concepts in the real world? Unless you structure a focus group properly, you’re not going to get meaningful, actionable feedback. And if you do, you may not like it and will just toss it aside, for, yep, personal preference.

When you design by committee, including everyone’s ideas just to be ‘safe’, you’ve lost. Collaboration is a great thing – and essential in business – but at some point there needs to be a steward who knows how to incorporate feedback when appropriate and when not to. Yes, that can be a very scary thing to do.

11. “It really needs to pop more”

Whenever anyone tells you this, they want either a starburst, super bold type or many different colors so everything ‘stands out’. For some reason, many think this makes a lackluster offer more compelling. But what they fail to realize is that when everything ‘pops’, nothing does. Go back and create an offer that people actually want. Something they’ll talk about and share. Do that well and that starburst will seem quite silly.

12. “I don’t like that color because it reminds me of my rival high school”

Yes, some people take a completely subjective approach when reviewing concepts. Rather than look at the business reasons for a design, they think about that rival high school that beat them at their home coming game in 1987. May I suggest that a more appropriate approach is to view color selection in the context of your audience, understanding that certain colors enhance sales?

So what have I left out? I know there are more… let me have them in the comments below!

Featured image Copyright © Patrick Prothe, 2011.

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Patrick Prothe

http://www.patrickprothe.com

Patrick Prothe is a marketing and social strategist leading teams focused on creating wow and delight in B2B technology. He gets excited about connecting dots and people. To fuel his creative drive he is an entrepreneur photographer currently working on a book on Oregon's historic coastal bridges.

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24 comments
Maggie Anderson
Maggie Anderson

Great post Patrick! Leaders are frustrated about how to get the economy moving again, but instead of relying on creative professionals who have an intuitive sense of the market, they seem to be even more risk averse. Two different clients said to me last week "I'm not paying for anything this year that doesn't guarantee results." I believe professionals who have honed their creative, intuitive abilities will be the only ones who can help business keep pace with change as it moves faster and faster -- hopefully we won't starve before the C-suite picks up on this!

jpJeremy
jpJeremy

Regarding #9, I find myself getting more aggressive when pushing back. My first statement is usually something like: "Imagine if we have to execute tri-lingual packaging for all of North America. How much copy is really necessary?"

Take what the engineers and executives want communicated, and cut it by 90%.

pprothe
pprothe

@jpJeremy Absolutely. But I definitely find it easier to push back when you're an agency counseling your clients vs. and in-house team. Tying it to the business reasons is always essential. Another way is to do A-B testing on a couple of concepts - their preferred and what you think is best and evaluate results.

SamParrotto
SamParrotto like.author.displayName 1 Like

I found myself thinking about all the comments, and @paulbeidermann , your direct way of sharing your experience ignited me to "engage" - LOL - I really believe that beneath the "work" that we do with each other, where there's a client and a provider of service, there are always "power" and "relationship" dynamics that have much to do with how responses, described by Patrick, are often handled.

Do you have a client who sees their "creative" person as a valuable resource? To what degree does the client feel "entitled" to be in the driver's seat and how does that client handle being in that kind of power? On the flip side, the person providing the service manages their own internal "power" dynamic - which can take all kinds of questionable and unproductive forms in the dialogue around the actual project. Throw in defenses and self protection and the list of 12 becomes code for "How are we going to be together, in relationship? How are we going to value each other, be conscious of power shifts and empower the project for an outcome that's really "spot on" for both of us?

Seeing these underlying dynamics is only the beginning, then we have to create a context to discuss them, openly, such that they create a bridge for the creative dialogue. I often see relationship dynamics being disguised in the language of "what we're doing" together - if this could be separated and explored - then it frees the creative conversation from getting locked into the "rhetoric" described in the post.

I do love the feel of interactions when the dynamics are freed up and consciousness between all is present.

PaulBiedermann
PaulBiedermann moderator like.author.displayName 1 Like

I have experienced each of these points literally thousands of times in my career and this is such a great post, Patrick, I hardly know where to start.

I think I’ll take every other one of your points and elaborate slightly (sorry, but this is the 12 Most post I didn’t get to yet ;-)

#2 is a pet peeve of mine and I usually restate it in my response with something like, “I will WORK on it a bit more and get back to you.”

#3 is hardly ever admitted to, but is frequently why the same “ol’, same ol’” is so frequently the outcome on creative projects.

#5 is the biggest inside joke of my industry — everyone wants the logo bigger (which just makes people like me start off by making it smaller to leave room to negotiate “up”).

#7 is the number one reason why so much marketing and advertising is vanilla, boring and ineffective. Common sense: if you want to be successful, it means rising above the competition which also translates into standing apart from them as well.

#9 is another pet peeve. Clients are always afraid that others won’t appreciate something or get the idea or joke. Yet they themselves had no trouble with it. Second guessing yourself out of good creative is foolish. The lame, overly-obvious result will make your company look as insecure as you are.

Great post, Patrick — welcome to 12 Most!

#11 us right on the money. I often use the analogy of a loud party when everyone is talking over one another — what stands out? Nothing. If anything, it is probably the whisper.

pprothe
pprothe

Thanks Paul - I see #9 happen all too often. Even when you present case studies of creative that pushes the boundaries and achieves results. There's always an excuse for why that doesn't work in 'this' business. As for #5 - I have and love Paula Scher's book "Make it Bigger" - which takes this on and presents her great work - http://www.amazon.com/Make-Bigger-Paula-Scher/dp/1568983328

@PaulBiedermann

dbvickery
dbvickery

Patrick, I enjoyed this and I'm Stumbling it now. Now I will have you know...I refused to buy a beautiful Camaro that had everything I wanted...because it was the color of a rival college ;)

A lot of great ideas can get lost and die in an email thread, also. Even if working with remote resources, time to setup a web conference and force a decision at some point. I'm never more frustrated than when good ideas die a passive death via email.

pprothe
pprothe

Presenting concepts via email is tough. You don't get to see the initial, unfiltered reaction but get the over-analyzed response. And when multiple people are included in the chain, once one person votes down an idea, most tend to follow. Few stand up for an idea even if they believe in it. I think whenever possible it's best to present first round in person - achieve approval on direction - then follow up with minor revisions via email. Major changes should be discussed first hand too. The other key is to make sure you have the final decision maker present/involved from the start. Nothing's more frustrating than going down a path only to have it killed on deadline because they weren't included initially. Thanks!

@dbvickery

PegFitzpatrick
PegFitzpatrick moderator like.author.displayName like.author.displayName 2 Like

Great read Patrick - I especially love "let's run this by a few people" because getting more "helpful" advice always makes sense.

Should be required reading for busy management members who say these things without looking or listening.

Fabulous!

pprothe
pprothe

Thanks Peggy. After making it required reading, key is to have people internalize it. It's so easy to critique creative from afar without understanding the process the team went through to arrive at a solution. @PegFitzpatrick

profkrg
profkrg

My personal favorite: "Perhaps." This usually is followed by "It's just not quite there, you know?" Uh, no, I don't know...

SamParrotto
SamParrotto

@profkrg I've done that lots but what is the alternative? What do I do with, "I'll know it when I see it?"

profkrg
profkrg

@SamParrotto I think you have to attempt to articulate what is missing or what should be done differently. Otherwise, the lack of direction creates frustration. Employees can't read our minds, right? I can't help but wonder if we actually know what we want if we cannot articulate it.

profkrg
profkrg like.author.displayName 1 Like

@pprothe@SamParrotto Absolutely! I also think there's some merit in being open to creative influence during the process. After all, we hire creatives for a reason, right?

Great discussion!

pprothe
pprothe like.author.displayName 1 Like

@SamParrotto @profkrg while it can be hard to articulate what's not resonating, I believe the key is starting with a clear creative brief/ objectives and evaluating concepts based on ability to fulfill them. And sometimes what you like personally is not necessarily the best option. Too often I find people evaluating based on subjective preferences vs. initial business goals...

SamParrotto
SamParrotto

@profkrg I'm in the middle of something like this right now - I find it to be conflicting - the need for me to articulate what I want depends on me spending time and energy to go and find what I want - not so possible to describe - this ends up taking me lots of time - of course, this is the trade off of not having a large budget - but when it comes to art and the feel of something - it requires bunches of communication and relationship to cut the process down and to ensure that it isn't frustrating... for either side...

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Restricting freedom also kills creativity. Yes we need to set goals but if you change the goals often and tell them how to reach those goals, you kill creativity.

SamParrotto
SamParrotto

Patrick - your post got me thinking and remembering too many moments when I was responsible for "killing off" the creativity - thank you :)

pprothe
pprothe

@SamParrotto glad to do so - means a lot! Design in business is a messy process and it's so important to approach with an open mind, hire creatives because you respect their work and approach - then TRUST them...

douglaserice
douglaserice like.author.displayName 1 Like

FANTASTIC post, Patrick! I especially love #3. Aversion to risk in the business world just kills me. Nothing great was ever accomplished without risk. Indeed, the risk of not innovating is far greater.

pprothe
pprothe

@douglaserice thanks Doug; always amazes me how fearful people are of even modest risk. And how they don't see that the only path to achieving results is to push it; when a piece fails they get even more risk averse and perpetuate the downward spiral

AmyMccTobin
AmyMccTobin like.author.displayName 1 Like

OMG!!! If my old and least favorite ever boss wrote this it would be the Same Exact Points but the descriptions would be all positive and the title would be 12Most Effective Ways to Manage Without Getting Fired.I am now self employed and thank God everyday for it.

LOVE this post.

pprothe
pprothe

@AmyMccTobin thanks Amy! I, too, know people who'd think the above are keys to success ;-)

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